URBAN: Venerdì 22 maggio: Closing Party Friday I'm in rock/ Sabato 23: Rosaspinto + Julian Mente + Pornovalium + Dj set by Fooly& Zed

Beh guarda di solito chi frequenta la zona di via manna in notturna(non l'urban, ma la zona) è attirato da n'altro tipo de pelo..tupelo per intenderci..le sick girl ci si penserà. la stagione è lunga e sarà molto bella ed avvincente...i Mojomatics vanno forte e spaccano di brrrutto!!!!
Per il discorso intellettual musicofilo io sono di tutta un'altra scuola..

TAAAC

Pace all'anima sua! Grande Sampètti!

Bhe è ora di creare un pò di hype... la nuova stagione è in arrivo, il barbuto ha completato già il primo trancio di stagione (ma non vi anticipo niente che so bastardo) e lo studio nel frattempo è stato completato ed è in fase di warm up.

La stagione si annuncia carnosa e succulenta, infatti alle classiche serate che vi hanno tenuto compagnia l'anno scorso (friday i'm in rock e sabato live) si affiancheranno un giovedì tutto dedicato ai capelloni e moooooolto probabilmente una domenica (attualmente in fase embrionale)

Si parte in sordina con una seratina di pre-apertura (per gli aficionados che non riescono più a vivere senza urban) venerdì 12, ma l'apertura vera e propria è fissata per sabato 20 settembre con il succoso concerto dei Gem Boy.
Non temano gli amanti del rock perchè ne arriverà a fiumi

in alto i calici

r3d ha scritto:

un giovedì tutto dedicato ai capelloni

Basta co sta campagna anti-Signoroarke



... senti chi parla ...

FRAIDI I'M IN ROCK!!

porterete i Baustelle o ?Il Genio

Il genio....

l'unico genio è quello dei Pierrots!!!!

RESPECT

il Genio ... giuro che se quei due sfigati incapaci mettono piede dentro l'urban faccio n'attentato dinamitardo.

ma che cazzo ... già Tellier inizia ad esse un pò stucchevole , mo in Italia scopriamo ste robe e ne tiriamo fuori il peggio assoluto.

ABBASTA!!!

quel pezzo è paro paro I feel love di Donna Summer , peraltro

(scusa dweezil .. non ce l'ho con te )

.

foolhead*REPRISE* ha scritto:

quel pezzo è paro paro I feel love di Donna Summer , peraltro

e non te sembra abbastanza?

foolhead*REPRISE* ha scritto:

l'unico genio è quello dei Pierrots!!!!

RESPECT

il Genio ... giuro che se quei due sfigati incapaci mettono piede dentro l'urban faccio n'attentato dinamitardo.

ma che cazzo ... già Tellier inizia ad esse un pò stucchevole , mo in Italia scopriamo ste robe e ne tiriamo fuori il peggio assoluto.

ABBASTA!!!

quel pezzo è paro paro I feel love di Donna Summer , peraltro

(scusa dweezil .. non ce l'ho con te )

eheh t'ho ispirato pure l'avatar!

Fab. ha scritto:

foolhead*REPRISE* ha scritto:

quel pezzo è paro paro I feel love di Donna Summer , peraltro

e non te sembra abbastanza?

no , perchè il giro è quello ma l'hanno usato male

comunque

volemo i Dari all'urban!!!!

Ho l'immenso piacere di annunciare un'evento che, appena ne ho avuto notizia, mi ha lasciato letteralmente senza fiato:

L'Urban Live Music Club MARTEDI' 21 OTTOBRE 2008 avrà l'onore di ospitare uno dei più grandi chitarristi rock-blues a livello mondiale:



ERIC SARDINAS and BIG MOTOR

ERIC SARDINAS BIOGRAPHY

Eric's signature brand of Delta dynamite has been a long time in the making. At the incredible early age of six, he already had his fingers on the fret board. Though born a lefty, he naturally gravitated towards playing the guitar as a right-hander. Admittedly, this could be considered a difficult approach, but it never slowed Sardinas down. In fact, it's actually been a major contributing factor in the formation of his unique style and specialized technique.

Also helping to shape his artistic direction were the soulful grounds in which he planted his earliest musical roots. Sardinas recalls that it was exposure to the likes of gospel, Motwon and R&B that eventually caused him to seek out the emotionally charged acoustics sounds of the Deep South. Delta titans like Charlie Patton, Son House, Robert Johnson, Skip James, Bukka White, and Fred McDowell were among his favorites. Rural country blues players such as Barbecue Bob and Blind Willie Mctell were later added to his list, as was the electricity of the Chicago blues sound. Indeed, - Elmore James, Howlin' Wolf, Muddy Waters, Otis Rush and Albert King could then be considered responsible for setting Sardinas on a collision course with what would ultimately become the final contributor to his developing style, - this - of - course - being rock 'n roll. Guitar fire-starters from the 1950s, along with harder-edged players from the turbulent 60s and 70s only further expanded and intensified the Sardinas sound.

After years of "inhaling" the essence of these various styles of music, Eric Sardinas finally "exhaled". In doing so, he consequently gave birth to an exhilarating, powerful, and sometimes terrifying new style that's real, raw, and wickedly intense.

Both his 1999 debut "Treat Me Right" and follow up "Devil's Train" were choked-full of electrified Dobro thunder, but neither surrendered Eric's deeply rooted respect for traditional blues. Mixed alongside his aggressively soulful, self- penned compositions were searing renditions of several obscure treasures from the back catalogues of classic blues artists.

Further historical influence came via a stunning array of legendary guest performers including; Howlin Wolf sideman Hubert Sumlin, blues/ rock pioneer Johnny Winter, and Delta blues kingpin Honeyboy Edwards. "Singing with Honeyboy meant a lot to me" recalls Sardinas. "He's one of the last surviving links to the first generation of Delta blues". All said and done, each of these two albums garnered bushels full of stellar reviews and rave reactions within th blues community now freely recognized and accepted Eris as a legitimate student and purveyor of the Delta legacy.

Looking back on his two first albums Sardinas can now insightfully reflect, "These records explored everything I'd learned, but at the same time they used blues as a jumping off point to go deeper." Sardinas continued his ongoing artistic quest with the third release "Black Pearls" to soar above and beyond the safe confines of twelve-bar familiarity and hopefully encouraged listeners to re-examine many of their preconceived notions regarding blues music. Celebrated studio legend Eddie Kramer was enlisted to spearhead this exiting and revolutionary musical undertaking. Also worthy of note is that "Black Pearls" was recorded completely live and directly to analog tape (i.e. no pro-tools, no vocal tuners, etc).

With legions of corporate-fueled, musical puppets littering our stages and airways, originality has become virtually extinct within the landscape of today's popular music. Fortunatly there's Eric Sardinas. His unique sound and honest delivery are breathing life back into the lungs of a stale industry on the verge of collapse. Sardinas is both a welcome reminder of the finest unfiltered music from an era bygone, as well as, a glimpse into a future realm of infinite sonic liberty. He's a courageous trailblazer who's constant repudiating routine limits and challenging all genre inherent boundaries with his wild innovations. So, - if you find yourself understandably lost and aimlessly drifting through a sad sea of musical mediocrity... find Eric Sardinas.


http://www.ericsardinas.com/

http://www.myspace.com/ericsardinasband













un evento imperdibile..... stento ancora a crederci!!!!

Venerdì 12 settembre l'Urban Club è lieto di ospitare la manifestazione "Contaminazioni Urbane".

La serata prevede ingresso gratuito e la possibilità di salire sul palco dell'Urban per una jam session collettiva.

Perciò, cari musicisti perugini, prendete i vostri strumenti e fatevi trovare pronti e vispi venerdì sera, ci sarà da divertirsi!!!!!!!!!

A seguire dj set.

wow figata...prendo il liuto e corro all'urban!

posso portà la mia collezione di clacson?

foolhead*REPRISE* ha scritto:

comunque

volemo i Dari all'urban!!!!

Ci saranno è tu gli fai il dj set!

bonham ha scritto:

Ho l'immenso piacere di annunciare un'evento che, appena ne ho avuto notizia, mi ha lasciato letteralmente senza fiato:

L'Urban Live Music Club MARTEDI' 21 OTTOBRE 2008 avrà l'onore di ospitare uno dei più grandi chitarristi rock-blues a livello mondiale:



ERIC SARDINAS and BIG MOTOR

ERIC SARDINAS BIOGRAPHY

Eric's signature brand of Delta dynamite has been a long time in the making. At the incredible early age of six, he already had his fingers on the fret board. Though born a lefty, he naturally gravitated towards playing the guitar as a right-hander. Admittedly, this could be considered a difficult approach, but it never slowed Sardinas down. In fact, it's actually been a major contributing factor in the formation of his unique style and specialized technique.

Also helping to shape his artistic direction were the soulful grounds in which he planted his earliest musical roots. Sardinas recalls that it was exposure to the likes of gospel, Motwon and R&B that eventually caused him to seek out the emotionally charged acoustics sounds of the Deep South. Delta titans like Charlie Patton, Son House, Robert Johnson, Skip James, Bukka White, and Fred McDowell were among his favorites. Rural country blues players such as Barbecue Bob and Blind Willie Mctell were later added to his list, as was the electricity of the Chicago blues sound. Indeed, - Elmore James, Howlin' Wolf, Muddy Waters, Otis Rush and Albert King could then be considered responsible for setting Sardinas on a collision course with what would ultimately become the final contributor to his developing style, - this - of - course - being rock 'n roll. Guitar fire-starters from the 1950s, along with harder-edged players from the turbulent 60s and 70s only further expanded and intensified the Sardinas sound.

After years of "inhaling" the essence of these various styles of music, Eric Sardinas finally "exhaled". In doing so, he consequently gave birth to an exhilarating, powerful, and sometimes terrifying new style that's real, raw, and wickedly intense.

Both his 1999 debut "Treat Me Right" and follow up "Devil's Train" were choked-full of electrified Dobro thunder, but neither surrendered Eric's deeply rooted respect for traditional blues. Mixed alongside his aggressively soulful, self- penned compositions were searing renditions of several obscure treasures from the back catalogues of classic blues artists.

Further historical influence came via a stunning array of legendary guest performers including; Howlin Wolf sideman Hubert Sumlin, blues/ rock pioneer Johnny Winter, and Delta blues kingpin Honeyboy Edwards. "Singing with Honeyboy meant a lot to me" recalls Sardinas. "He's one of the last surviving links to the first generation of Delta blues". All said and done, each of these two albums garnered bushels full of stellar reviews and rave reactions within th blues community now freely recognized and accepted Eris as a legitimate student and purveyor of the Delta legacy.

Looking back on his two first albums Sardinas can now insightfully reflect, "These records explored everything I'd learned, but at the same time they used blues as a jumping off point to go deeper." Sardinas continued his ongoing artistic quest with the third release "Black Pearls" to soar above and beyond the safe confines of twelve-bar familiarity and hopefully encouraged listeners to re-examine many of their preconceived notions regarding blues music. Celebrated studio legend Eddie Kramer was enlisted to spearhead this exiting and revolutionary musical undertaking. Also worthy of note is that "Black Pearls" was recorded completely live and directly to analog tape (i.e. no pro-tools, no vocal tuners, etc).

With legions of corporate-fueled, musical puppets littering our stages and airways, originality has become virtually extinct within the landscape of today's popular music. Fortunatly there's Eric Sardinas. His unique sound and honest delivery are breathing life back into the lungs of a stale industry on the verge of collapse. Sardinas is both a welcome reminder of the finest unfiltered music from an era bygone, as well as, a glimpse into a future realm of infinite sonic liberty. He's a courageous trailblazer who's constant repudiating routine limits and challenging all genre inherent boundaries with his wild innovations. So, - if you find yourself understandably lost and aimlessly drifting through a sad sea of musical mediocrity... find Eric Sardinas.


http://www.ericsardinas.com/

http://www.myspace.com/ericsardinasband













un evento imperdibile..... stento ancora a crederci!!!!

Ahaha dalle nostre parti la suspence è un eufemismo!
Semo 'na rete da pesca!

Sardinas è un fenomeno davvero comunque!

A parte le anticipazione ect. durante questa stagione avrete il meglio della nuova musica italiana, qualche rientro illustrissimo, grandi ospiti internazionali, grandi gruppi locali, nuove band anglosassoni, qualche classicone che non guasta mai, feste splendido-splendenti, una spruzzata di trash, un'inondazione di thrash...

Inoltre...il prode Fab. coordinerà i Friday i'm in rock, lo studio è pronto ed offrirà nuove opportunità per chi volesse registrare in maniera professionale ad un prezzo eccezionale.

Mancate solo voi, quindi, fateci la cortesia, visto che offriamo noi, di venirci a salutare venerdì 12, e venite numerosi, altrimenti Bohnam suona due ore e ci sfrange le orecchie prima del tempo!

E tanto che ci siamo...





Solo perchè quest'anno pure i flyer sono più belli!

chi ve li fa? belli!

pantu ha scritto:

chi ve li fa? belli!

Il sabato sempre R3d.
Per il venerdì ci pensa il prode Fab.

Una sera me li fate mette i cd-rom sdoppiati?
In consol?
grazie Babo!